![]() The three poems are written against the grain, opposing the mainstream thinking of the day, based on enumeration chaotically cataloguing, and with perceptional attention to the everyday: class differences and the monotony and beauty of working (Prévert) claiming a place where to live (Dylan) enjoying friendship, celebration and happiness as post-hippie values based on a magical childlike world (Sisa). In these three poems we can recognize a mixture of Eco's distinction between the 'poetics of everything included,' and the 'poetics of the etcetera.' Similar to Proust's use of the enumeration, they establish relationships and divisions, and this has a therapeutic function. They are interrelated examples based on the list concept and loosely interconnected as all of them elaborate lists of people that can be found in, or are related to a specific place. ![]() ![]() This article analyzes three poems: Jacques Préverts 'Tentative de description d'un dîner de têtes à Paris-France' (1931), Bob Dylans 'Desolation Row' (1965), and Jaume Sisa's 'Qualsevol nit pot sortir el sol' (1975).
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